So I had seen here that a chinchilla rabbit wont turn grey unless it also is Agouti.
Interesting question. Agouti is the gene that makes wild rabbit color, with more than one color on a hairshaft, generally a dark (black or chocolate based) color on the outside, then a band of a yellowish shade, and finally another dark band. For example, castor, aka chestnut agouti, has black tipping, with that chestnut brown on the outside band (a mix of gray tones with a little yellow to form chestnut), then a fawn/orange band, and then slate gray. The full color C- gene allows all of these colors to be expressed.
The chinchilla gene is recessive to full color C-, and the yellow pigment factories are shut down, which removes the yellow tones from the hairshaft, so the black tips stay, the outer coat becomes just gray without the yellow to form chestnut, the middle band has all the yellow removed, and it is just pearly white, and the base slate gray is unchanged.
With albino red (or ruby)-eyed-white rabbits, are even more recessive than full color C- or chinchilla, here, all of the pigment factories are closed, both for the yellow tones as well as the dark (chocolate, lilac, blue or black) shades. So, no matter what the genetics on the rabbit are for the other genes, they can't be printed onto the rabbit. The recessive albino gene shuts down all the pigment factories, like a printer being without ink--nothing gets printed, no matter what you programmed it to print, nothing gets onto the paper because the ink is shut off. That's why the idea of the white sheet came about, because with a REW, you have no idea what color is genetically programmed, because the ink was shut off. So, it could be a Vienna blue-eyed white, a broken, a harlequin/tricolor, a self black or blue or lilac, a tortoise shell, an orange agouti or castor. . .could be anything. . .but with the ink shut off, the pigment factories turned off, you just can't tell.