@reh I have tried to do as you asked, and take photos of the banded/ticked hair. I raise English & Satin Angoras, with fine static-charged fiber, and this has proved to be quite a challenge. Once I finally would get a few hairs pulled free to put on the white paper, they would either fly away or stick to my hand (or tool) and refuse to lay on the paper. I finally put spots of white glue on the paper, to hold them in place, but I did have to use bigger clumps of fiber than you requested, smaller amounts just refused to obey.
I cut short (many only 1/2" long) hairs from the face, where the color was more intense and the color changes more evident than in the more muted long wool fibers. I tried to separate guard hairs from down, but that didn't work on the face hair very well--all too short, and not really much down anyway there. I also took fiber from the triangle behind the ears, and from the main coat, so if there are three samples for a rabbit, it is (left to right): face hair, triangle, main coat.
I used a ruler measured in centimeters, so the markings you see between the numbers are millimeters. Since the face hair was so short, and I needed to enlarge the photos to actually see the banding, it seemed the best option. I measured from the bottom of the hair sample, so if you see a '2' and some hash marks, it means that part of the fiber is 2cm from the bottom of the sample (there's 2-1/2 cm to an inch for American measurements).
I don't raise steel, so I can't take any face hair samples of that, but I did have a tiny bit of wool to spin from a blue steel, high rufus chocolate steel, and a lilac steel. I tried to choose the shortest fiber I could find, for better color, but this is still just mixed loose fiber, not nice neat clumps in order. I did the best I could. The color definition may not be so obvious in long angora fiber on dilute rabbits--but I did not have any black steel samples to work with. Sorry.
Your experiment, however, does appear to explain part of the mystery of Wild Gray Chestnut agouti rabbits. I have a dark Satin Angora doe, her face hair is deep charcoal, almost sable sepia. But, she has the orange triangle behind the ears. Her fiber looks almost all gray. BUT, the closeup of the face hair shows the fiber dark all the way from the base, with a tiny orange band near the black tip. So, whatever causes wild gray, must prolong the base color until very late in the cycle, with the remaining bands tiny near the end. Interesting. Explains why when looking at the fiber, you don't really see anything but gray, as for most of the fiber, there ISN'T anything but gray.
This is the fiber sample page this close-up is taken from: (and yes, I see I forgot the final 'i' in agouti and this color is so dark it looks more like chestnut agouti than chocolate agouti.)
You can see some of this high banding on the face hair, near the ears:
It was more difficult to find any hint of chestnut banding on an English wild gray (yes, I did 'grey' on the paper). It took a lot of magnification to find that tiny chestnut band (hashmarks on the ruler are in millimeters)
This doe was born black with the white agouti ears, then developed the chestnut pattern, which then grew out to this mostly gray pattern.
She looks chestnut on the face, but not in the fiber.
I cut short (many only 1/2" long) hairs from the face, where the color was more intense and the color changes more evident than in the more muted long wool fibers. I tried to separate guard hairs from down, but that didn't work on the face hair very well--all too short, and not really much down anyway there. I also took fiber from the triangle behind the ears, and from the main coat, so if there are three samples for a rabbit, it is (left to right): face hair, triangle, main coat.
I used a ruler measured in centimeters, so the markings you see between the numbers are millimeters. Since the face hair was so short, and I needed to enlarge the photos to actually see the banding, it seemed the best option. I measured from the bottom of the hair sample, so if you see a '2' and some hash marks, it means that part of the fiber is 2cm from the bottom of the sample (there's 2-1/2 cm to an inch for American measurements).
I don't raise steel, so I can't take any face hair samples of that, but I did have a tiny bit of wool to spin from a blue steel, high rufus chocolate steel, and a lilac steel. I tried to choose the shortest fiber I could find, for better color, but this is still just mixed loose fiber, not nice neat clumps in order. I did the best I could. The color definition may not be so obvious in long angora fiber on dilute rabbits--but I did not have any black steel samples to work with. Sorry.
Your experiment, however, does appear to explain part of the mystery of Wild Gray Chestnut agouti rabbits. I have a dark Satin Angora doe, her face hair is deep charcoal, almost sable sepia. But, she has the orange triangle behind the ears. Her fiber looks almost all gray. BUT, the closeup of the face hair shows the fiber dark all the way from the base, with a tiny orange band near the black tip. So, whatever causes wild gray, must prolong the base color until very late in the cycle, with the remaining bands tiny near the end. Interesting. Explains why when looking at the fiber, you don't really see anything but gray, as for most of the fiber, there ISN'T anything but gray.
This is the fiber sample page this close-up is taken from: (and yes, I see I forgot the final 'i' in agouti and this color is so dark it looks more like chestnut agouti than chocolate agouti.)
You can see some of this high banding on the face hair, near the ears:
It was more difficult to find any hint of chestnut banding on an English wild gray (yes, I did 'grey' on the paper). It took a lot of magnification to find that tiny chestnut band (hashmarks on the ruler are in millimeters)
This doe was born black with the white agouti ears, then developed the chestnut pattern, which then grew out to this mostly gray pattern.
She looks chestnut on the face, but not in the fiber.
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